|
Jena Optical Museum |
3-5 |
|
Lighting with Paint |
6 |
|
Leading Ladies |
|
|
Sony EX1 and Z7U |
7-11 |
|
ASC and Avid on Color |
14 |
|
Zeiss PL Still Camera |
15 |
|
Transvideo HD Monitor |
12-13 |
|
12 Days of Bogen |
16-17 |
|
Hawk V-Lites |
18 |
|
Cooke Sees Red |
19 |
|
Panavision G Series |
20 |
|
Lentequip SR3 Adapter |
21 |
|
NY Pro Tech Expo |
22-23 |
|
Oli at ARRI and IBC |
24-25 |
|
Primal Streams |
26-27 |
|
Canon Confluence |
28 |
|
CineBags |
29 |
|
16x9inc EX Wide |
15 |
|
Good Books |
30 |
|
iPhone |
1-3 |
|
Tiffen Dfx Software |
4-5 |
|
Hedén Lens Motors |
6 |
|
Oli in Asia, Infocomm and Cine Gear Expo |
7-9 |
|
Still Life: Canon EOS 40D, EOS-1Ds Mk III |
10 |
|
ARRI Updates: 416, 235, Arricam Lite |
15 |
|
Lighting with Paint |
12-13 |
|
A tale of Two Caravaggios: The Fortune Teller |
|
|
Cinematographer Style in Rome |
15 |
|
Red, Green, Blue |
1-3 |
|
RED camera, Lwel Rifa, Canon HV20 |
|
|
Aaton Penelope |
4 |
|
Phantom HD AND 65 |
5 |
|
Oli Laperal at NAB |
6,7 |
|
Cooke Tour: How to Build a Lens |
8-13 |
|
Lighting with Paint |
15 |
|
Bellini, Titian |
|
|
Sci-Tech Awards |
1 |
|
Richard Edlund, ASC |
2,3 |
|
New Monitors from Transvideo |
4 |
|
Rainbow II RF UHF, Rainbow II Extrem, CineMonitorHD6, Starlite DV |
|
|
Wizards of Wireless |
5-7 |
|
Lens control systems honored at Sci-Tech Awards |
|
|
Preston Cinema Systems, cMotion, ARRI |
|
|
Cooke /i dataLink |
8 |
|
Camera Tracking 101: Pixel Farm and Avid |
9,10 |
|
Sony F23 |
11 |
|
Tiffen Steadicam Merlin and DFX Digital Filter Suite |
12 |
|
Digital Dustbuster: Kodak Digital Ice and ARRISCAN |
12 |
|
16x9 Inc 1.5x Tele Converter for HDV Camcorders |
13 |
|
JVC PL Mount Adapter |
13 |
|
Canon XHA1 and XHG1 Camcorders |
14-15 |
|
Kata Camcorder Guards |
16 |
|
Setting grads, Formatt Grads |
16 |
|
ARRI at NAB |
17 |
|
MasterPrimes, 416, 235, Lighting, D-20 |
|
|
Lighting with Paint |
19 |
|
Rembrandt Portraits |
|
|
Camerimage, Cooke, Lodz |
1, 2 |
|
Band Pro One World HD Expo |
2 |
|
SONY F23 HD 2/3" Camera |
3 |
|
SONY HVR-V1U HDV Camera |
4 |
|
Lighting with Paint & Mirrors |
5 |
|
Cooke Tour: Lenses in Leicester |
6-7 |
|
JVC GY-HD250U HDV Camera |
8-9 |
|
Practical Info on Focal Length |
10-11 |
|
Arriflex 416 Intro Notes |
12-13 |
|
Color Temperature & Gossen 3-F |
15 |
|
Lighting with Paint: Vincent Van Gogh, “The Weaver” |
2 |
|
ARRIMAX and Maxmover |
3 |
|
Lenses at Cinec |
4, 5 |
|
Cooke CXX 15-40
|
|
|
Light and Grip at Cinec |
4-6 |
|
Transvideo 4 inch Starlight Monitor |
7-10 |
|
Zeiss, Digis, Masters, and Ultras |
11-12 |
|
Cinematographer Style Film and DVD |
13-14 |
|
Demise of the Video Store |
1 |
|
Superstars |
1 |
|
Lighting with Paint |
2 |
|
Caravaggio, “St. Jerome,” “Christ at the Column” Lighting is Overrated, by Paul Ryan, ASC |
3-5 |
|
Picasso “Les Demoiselles d’Avignon” |
|
|
Focus Issues with HD and SD, by Denny Clairmont |
6-7 |
|
Panavision Lenses, by Elina Shatkin |
8-9 |
|
Vantage Anamorphics, by Peter Martin |
10 |
|
Cool Tools |
11 |
|
Anamorphic lenses and contrast glass from Joe Dunton, Tie-down screwdriver from Boston Camera, |
|
|
JL Fisher Accessory shelf and low-mode attachment |
|
|
BrainDrain for Batteries from Lentequip |
12-13 |
|
Checking Flange Focal Depth of Arricam and Arriflex 235 |
14 |
|
Arriflex 416 unwrapped at NAB, RED revealed and Sony F23 prototype introduced at NAB |
1 |
|
Cinematographer Style Feature Documentary: 110 Interviews |
2 |
|
Lighting with Paint: What’s wrong with this Pieter de Hooch Picture? |
3 |
|
Depth of Field in Cinematography, by Mark Craig Gerchman and Jon Maxwell |
4 |
|
The Gods of Focus, by Howard Preston |
6 |
|
Preston FI+Z Hand Unit3 |
6-9 |
|
Back Focus and Zeiss Sharpmax, by Michael Bravin |
10 |
|
One Chip or Three Chips? by Laurance Thorpe |
12 |
|
End Credit: Herbert Raditschnig |
|
|
Super 16mm from Rune Ericson to now |
1, 3 |
|
Astrid Preston, artist |
1 |
|
New HD Cameras and Lenses |
2 |
|
Pre-release Arriflex 416 whispers |
3 |
|
New Aaton Super 16mm camera: XTRprod2 |
4 |
|
Super 16 Lenses from Cooke, Canon and ARRI |
4 |
|
Sony XDCAM HD PDW-F350 |
5 |
|
How to do a Digital Intermediate |
6, 7 |
|
John Dowdell and Tim Spitzer of Goldcrest Post Productions |
|
|
Sensitometry in English, by Bart Durkin |
8 |
|
Super 16 and Digital Intermediates, by Michael Phillips, AVID |
9 |
|
CamTram |
10 |
|
P+S Skater Mini and Scope |
10 |
|
Raw Files, by Tom Reid |
11 |
|
Kodak KLMS 2 |
11 |
|
Lighting with Paint: Masters of Darkness |
12 |
|
Rembrandt “Self portrait as the Apostle St. Paul,” Gordon Willis, ASC |
|
|
Lowel Caselite4 |
13 |
|
Kinoflo 4Bank |
13 |
|
Doggicam Sparrow |
14 |
|
Opening Credit: Garh Thielges |
14 |
|
Ikonoscop a-cam Super 16 |
14 |
|
Peepshows and iPeep: Apple iPod Video |
3 |
|
Cooke 15-40mm CXX S4i Zoom Lens |
5 |
|
Tiffen Filters |
6 |
|
Glimmerglass, Digital Diffusion DFX, HDTV FX, Nude FX |
|
|
Retrofit Syndrome: mounting ARRI EXD-1 External Display on Arriflex 235 camera |
7 |
|
Lens Pen |
7 |
|
JVC GY-HD100 |
4, 8-9 |
|
High Definition and Your TV Spot by David Friedman, djm Post Production |
10 |
|
Opening Credit: Barbara Lowry |
11 |
|
Director, Cooke Optics |
|
|
Vittorio Storaro, ASC, AIC on why he is a Cinematographer, not a “Director of Photography” |
11 |
|
Lighting with Paint |
12 |
|
Thomas Eakins “Singing a Pathetic Song,” “The Agnew Clinic” |
|
|
Lighting in Tight Places |
12 |
|
Matthews MAX, Finnlight Toplight, ARRIMAX 18/12, Litepanels Mini |
|
|
Lowel Ego Light |
14 |
|
Eye Cushions and Chamois from Bluestar – Lentequip |
14 |
|
SONY Z1 HDV Jumpstart Guide |
|
|
Digital Intermediates |
2 |
|
SONY HVR-Z1 |
4 |
|
Z1 Menu |
7 |
|
Lighting with Paint |
14 |
|
Vermeer “The Geographer,” “Girl Reading a Letter at an Open Window” |
|
|
3D Digital Projection |
15 |
|
NAB: The Year of HD, HDV, HDTV |
2 |
|
Cine Gear: The Year of Moving Cameras |
3 |
|
Cranes, Cars, Remote Heads |
4 |
|
Low Angle Shots |
5 |
|
Lenses |
6, 7 |
|
Lens Accessories |
8 |
|
Power, Batteries |
9 |
|
Video Assist |
9 |
|
Digital Cameras |
10 |
|
Arriflex 235 Accessories |
11 |
|
Painting with Lights |
12 |
|
Lighting with Paint |
12 |
|
AKS, Bags |
13 |
|
Books, Software |
13 |
|
Kodak 7299 Film, KLMS |
13 |
|
Opening Credits |
13 |
|
Water |
14 |
|
Camera History: 1895 |
15 |
|
About this New Newsletter |
2 |
|
Lighting with Paint: |
3 |
|
Rembrandt van Rijn, “Philosopher in Meditation” |
|
|
Andrew Laszlo, ASC “Every Frame a Rembrandt” |
|
|
Camera Reports |
3,14 |
|
Digital Intermediate, SD20, Genesis, DALSA, Arriflex 235 Accessories, Hydroflex 235 Splash Bag, Super 16, Aaton a-minima, a-cam, Cooke, Bolex Super16, HDV, Sony HVR Z1U |
|
|
How to Shoot Steadily at Sea |
4-5 |
|
Arriflex 235
|
|
|
Kodak Look Manager System (KLMS) |
6 |
|
Intro to the New Arriflex 235 |
7 |
|
Arriflex 235 quick review |
8-11 |
|
Arriflex 235 Parts, Camera Comparisons |
12 |
|
235 Setup; Loading Mags |
13 |
|
JDC 235 Splash Bag |
13 |
|
Opening Credits: Howard Preston |
13 |
|
Microforce Zoom control and lens controls, FI+Z, Speed Aperture Computer, Microforce lens motors |
|
|
Hylén System from Panavision |
14 |
|
Camera History: Sept 1922 |
15 |
|
Sept 35mm camera |
|